rancesco Zuccarelli \u0142owienie na przyn\u0119t\u0119 akwafort<\/p>\n
Temat: Krajobraz, \u0142owienie na przyn\u0119t\u0119<\/p>\n
na pierwszym planie m\u0142ody rybak, widziany od ty\u0142u, le\u017c\u0105cy na ziemi pod drzewem, rozmawiaj\u0105cy z m\u0119\u017cczyzn\u0105 po prawej przeprawiaj\u0105cym si\u0119 przez rzek\u0119 z kobiet\u0105 na koniu; po drugiej stronie rzeki spaceruj\u0105 dwie kobiety i m\u0119\u017cczyzna z krowami; miasteczko z wie\u017c\u0105 ko\u015bcieln\u0105 w tle;<\/p>\n
po Zuccarelli. 1762<\/p>\n
Trawienie z grawerem<\/p>\n
Nazwa producenta<\/p>\n
Nadruk wykona\u0142: Francesco Bartolozzi<\/p>\n
Po: Francesco Zuccarelli Wyda\u0142: Joseph (Giuseppe) Wagner<\/p>\n
Szko\u0142a \/ styl W\u0142oski<\/p>\n
Data produkcji 1762<\/p>\n
Miejsce produkcji Opublikowano w: Wenecja (miasto) Europa: W\u0142ochy: Veneto: Wenecja (prowincja): Wenecja (miasto)<\/p>\n
Materia\u0142y papier<\/p>\n
Technika akwaforta rytownictwo<\/p>\n
Wymiary Wysoko\u015b\u0107: Wysoko\u015b\u0107: 49 cm Szeroko\u015b\u0107: Szeroko\u015b\u0107: 60 cm – wymiary z obramowaniem<\/p>\n
Napisy Rodzaj napisu: napis Tre\u015b\u0107 inskrypcji: Pod zdj\u0119ciem wypisanym z tytu\u0142em, nazwiska artyst\u00f3w: “F. Zuccarelli pin. In Domo I. Smith.”, “Bartolozzi inc: appo I. Wagner Vea. C.P.E.S.”, numer wydawniczy.<\/p>\n
tak\u0105 sam\u0105 grafik\u0119 mo\u017cemy r\u00f3wnie\u017c zobaczy\u0107 w British Muzeum<\/p>\n
Etching, etching (Italian: acquaforte - strong water or nitric acid) - concave graphic technique, also a print obtained using this technique. The etching technique was invented at the turn of the 15th and 16th centuries, and it was popularized in the 16th century [1].<\/p>\n
It consists in making a metal printing plate with a drawing obtained by etching. A copper or zinc plate is covered with an acid-insoluble etching varnish and then a drawing is made with a steel needle revealing the metal surface [2]. By dipping the plate in acid, the deep drawing on the plate is etched. In order to deepen the lines in the dark parts of the drawing, this process is repeated several times. After the final etching and removal of the varnish, the printing ink is rubbed into the plate, which is only retained in the etched depressions. The ink pressed into the etched recesses of the plate is transferred to the paper under pressure in a gravure press [3].<\/p>\n
The etching was used by: Albrecht D\u00fcrer, Rembrandt, Jacques Callot, Francisco Goya [4], Giovanni Battista Piranesi, James Abbott McNeill Whistler, Marc Chagall, Pablo Picasso, Taras Szewczenko, Daniel Chodowiecki, Jan Piotr Norblin, Micha\u0142 P\u0142o\u0144ski, Leon Wycz\u00f3\u0142kowski, Mehoffer, J\u00f3zef Pankiewicz, Wojciech Weiss, Zbigniew Rabsztyn, J\u00f3zef Pieni\u0105\u017cek, Magdalena Gintowt-Juchniewicz, Cezary Paszkowski, Barbara Rosiak, Leszek R\u00f3zga, Barbara Nar\u0119bska-D\u0119bska, Tadeusz Micha\u0142 Siara, Beata Nehring. Chaim Goldberg<\/p>\n
The first etching is dated 1513 and its creator is the Swiss engraver Urs Graf [5]. As a result of the development of this technique in the 18th century, an aquatint was invented to expand the possibilities of donation<\/p>","protected":false},"featured_media":5586,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_cat":[41,39,40],"product_tag":[],"class_list":{"0":"post-5537","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-malarstwo-dawne","7":"product_cat-dziela-sztuki","8":"product_cat-malarstwo","10":"entry","11":"has-media","13":"first","14":"instock","15":"taxable","16":"shipping-taxable","17":"purchasable","18":"product-type-simple","19":"has-product-nav","20":"col","21":"span_1_of_3","22":"owp-content-center","23":"owp-thumbs-layout-horizontal","24":"owp-btn-normal","25":"owp-tabs-layout-horizontal"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product\/5537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/comments?post=5537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/media\/5586"}],"wp:attachment":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/media?parent=5537"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product_cat?post=5537"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product_tag?post=5537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}