{"id":5574,"date":"2022-04-21T14:41:27","date_gmt":"2022-04-21T12:41:27","guid":{"rendered":"https:\/\/antykilion.pl\/?post_type=product&#038;p=5574"},"modified":"2022-04-21T14:41:27","modified_gmt":"2022-04-21T12:41:27","slug":"lowca-myszy-visscher-cornelis-haarlem-ok-1628-1670-akwaforta","status":"publish","type":"product","link":"https:\/\/antykilion.pl\/en\/product\/lowca-myszy-visscher-cornelis-haarlem-ok-1628-1670-akwaforta\/","title":{"rendered":"\u0141owca myszy VISSCHER Cornelis (Haarlem ok. 1628-1670) akwaforta"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>\u0141owca myszy VISSCHER Cornelis (Haarlem ok. 1628-1670) akwaforta<\/p>\n<p>Temat: \u0141owca myszy<\/p>\n<p>na pierwszym planie sprzedawca trucizny na myszy i \u0142owca myszy<\/p>\n<p>Artysta: VISSCHER Cornelis (Haarlem ok. 1628-1670)<\/p>\n<p>Data: ok. 1650 r<\/p>\n<p>Medium: trawienie i grawerowanie<\/p>\n<p>Miejsce produkcji Opublikowano w: Holandia<\/p>\n<p>Materia\u0142y papier<\/p>\n<p>Technika akwaforta rytownictwo<\/p>\n<p>Wymiary Wysoko\u015b\u0107: Wysoko\u015b\u0107: 49 cm Szeroko\u015b\u0107: Szeroko\u015b\u0107: 41 cm &#8211; wymiary z obramowaniem<\/p>\n<p>Cornelis Visscher (1629 w Haarlemie \u2013 1658 w Haarlemie), by\u0142 holenderskim rytownikiem Z\u0142otego Wieku i bratem Jana de Visschera i Lamberta Visscher\u00f3w. Biografia Wed\u0142ug Houbrakena by\u0142 zdolnym rytownikiem, kt\u00f3ry wykonywa\u0142 s\u0142ynne odbitki (za \u017cycia) i mia\u0142 niezwyk\u0142y talent do rysowania wed\u0142ug \u017cywego modelu w\u0119glem drzewnym, kt\u00f3ry nie mia\u0142 sobie r\u00f3wnych. Houbraken wspomnia\u0142, \u017ce jego prace mo\u017cna by\u0142o zobaczy\u0107 w kolekcji bogatego dyrektora holenderskiej Kompanii Wschodnioindyjskiej i kolekcjonera sztuki w Amsterdamie, kt\u00f3ry mia\u0142 du\u017cy gabinet artystyczny, Jeronimusa Tonnemana. Grafiki Visschera zosta\u0142y wykonane wed\u0142ug r\u00f3\u017cnych znanych malarzy z Haarlemu, takich jak Nicolaes Berchem, Adriaen van Ostade, Pieter van Laer i Adriaen Brouwer.[3] Wed\u0142ug RKD mia\u0142 dw\u00f3ch braci, Jana de Visschera i Lamberta Visschera (1633-ok.1690) i by\u0142 uczniem Pietera Claesza Soutmana[4]. Wykona\u0142 seri\u0119 portret\u00f3w drukowanych postaci religijnych z Amsterdamu i Haarlemu.[4] W 1653 wst\u0105pi\u0142 do Haarlem Guild of St. Luke. [4] Wywar\u0142 wp\u0142yw na Dirka Helmbrekera i Cornelisa Beg\u0119. [2] Jego uczniem by\u0142 Jan Aelbertsz Riethoorn.[4] Wikimedia Commons zawiera multimedia zwi\u0105zane z Cornelisem Visscherem. Inne Cornelis Visscher Houbraken wspomina Kornelisa de Visschera z Hamburga, popularnego rytownika w Amsterdamie, kt\u00f3ry uton\u0105\u0142 na morzu[5]. Ten inny Cornelis Visscher jest znany w RKD jako Cornelis de Visscher, kt\u00f3ry malowa\u0142 portrety, kt\u00f3re p\u00f3\u017aniej grawerowali inni. Uton\u0105\u0142 na morzu w 1586 r. w drodze powrotnej z Hamburga. Pochodzi\u0142 z Goudy. [6] Cornelis de Bie wspomina Cornelisa Visschera[7], kt\u00f3ry w swoich rycinach uwzgl\u0119dni\u0142 rybak\u00f3w. Dokona\u0142 tego s\u0142ynna rodzina kartograf\u00f3w Visscher\u00f3w, a zapocz\u0105tkowa\u0142 je Claes Jansz Visscher. Nie wiadomo, czy Haarlemowie i Gouda Cornelis Visscherzy byli spokrewnieni z rodzin\u0105 kartograf\u00f3w z Amsterdamu. Jednak De Bie poprawi\u0142 nazwisko na s. 524 do &#8216;Jan Claessen de Visscher&#8217;<\/p>\n<p>Etching, etching (Italian: acquaforte - strong water or nitric acid) - concave graphic technique, also a print obtained using this technique. The etching technique was invented at the turn of the 15th and 16th centuries, and it was popularized in the 16th century [1].<\/p>\n<p>It consists in making a metal printing plate with a drawing obtained by etching. A copper or zinc plate is covered with an acid-insoluble etching varnish and then a drawing is made with a steel needle revealing the metal surface [2]. By dipping the plate in acid, the deep drawing on the plate is etched. In order to deepen the lines in the dark parts of the drawing, this process is repeated several times. After the final etching and removal of the varnish, the printing ink is rubbed into the plate, which is only retained in the etched depressions. The ink pressed into the etched recesses of the plate is transferred to the paper under pressure in a gravure press [3].<\/p>\n<p>The etching was used by: Albrecht D\u00fcrer, Rembrandt, Jacques Callot, Francisco Goya [4], Giovanni Battista Piranesi, James Abbott McNeill Whistler, Marc Chagall, Pablo Picasso, Taras Szewczenko, Daniel Chodowiecki, Jan Piotr Norblin, Micha\u0142 P\u0142o\u0144ski, Leon Wycz\u00f3\u0142kowski, Mehoffer, J\u00f3zef Pankiewicz, Wojciech Weiss, Zbigniew Rabsztyn, J\u00f3zef Pieni\u0105\u017cek, Magdalena Gintowt-Juchniewicz, Cezary Paszkowski, Barbara Rosiak, Leszek R\u00f3zga, Barbara Nar\u0119bska-D\u0119bska, Tadeusz Micha\u0142 Siara, Beata Nehring. Chaim Goldberg<\/p>\n<p>The first etching is dated 1513 and its creator is the Swiss engraver Urs Graf [5]. As a result of the development of this technique in the 18th century, an aquatint was invented to expand the possibilities of donation<\/p>","protected":false},"featured_media":5575,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_cat":[41,39,40],"product_tag":[],"class_list":{"0":"post-5574","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-malarstwo-dawne","7":"product_cat-dziela-sztuki","8":"product_cat-malarstwo","10":"entry","11":"has-media","13":"first","14":"instock","15":"taxable","16":"shipping-taxable","17":"purchasable","18":"product-type-simple","19":"has-product-nav","20":"col","21":"span_1_of_3","22":"owp-content-center","23":"owp-thumbs-layout-horizontal","24":"owp-btn-normal","25":"owp-tabs-layout-horizontal"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product\/5574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/comments?post=5574"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/media\/5575"}],"wp:attachment":[{"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/media?parent=5574"}],"wp:term":[{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product_cat?post=5574"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/antykilion.pl\/en\/wp-json\/wp\/v2\/product_tag?post=5574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}